I’ve spent the last week not writing anything, due to a busy work season. Unfortunately that did not stop me from spending a great deal of time aimlessly browsing the Evil Internet. I came upon this nugget and felt the need to share. Enjoy:
Don’t miss out, there’s still one day left to get a free copy.
This is the last day to ake advantage of the weekend sale of Beginning of a Hero. Escape to the world of Windemere where dragons roam, warriors do battle, and dogs roll their eyes at foolish masters. You can get this new epic fantasy for no cost, but only until the end of Sunday. Just click on the picture, download, and Enjoy!
There’s been a lot of discussion recently about the New Adult genre and it seems that there really isn’t a lot of clarity about this category. Is it just that the characters are older or is the content actually more graphic than the usual YA fare? It isn’t easy to find a definitive answer. Some feel that the New Adult category allows for more sexual content since the characters are between the ages of 18 and 24. Also, the readers of these books would be expecting a little more smut which is clearly something frowned upon in the YA category. My questions is this: if more sex and violence is included in a novel that would otherwise appeal to readers in the YA category, are we losing a big part of the audience? As someone about to self-publish a YA novel, this is particularly important to me. While I do want to target as large a readership as possible, I don’t want to compromise my character’s integrity by adding scenes that may cater more to the tastes of slightly older readers. Although my character was initially written as a fifteen year old, as I’m in the process of editing, I am tempted to make her a bit older. My reason for the change is not the NA vs YA issue, but rather how the character naturally developed as I wrote the novel. However, since I am toying with the idea anyway, I wonder if I should add a little more detail to the romantic scenes. If any writers or readers out there have suggestions or opinions on this, I would greatly appreciate any feedback.
Since I started blogging a few months ago I’ve noticed that a lot of the blogs I follow are written by moms who, like me, have to split their time between writing, family, as well as a job or a home business that demands their attention. Even on the best days, I feel that I come up short. Either I didn’t get around to editing as much as I needed or I didn’t get to spend as much time with my girls as I would have liked to. The guilt kills me, but try as I might, I am just not willing to give up any of the things that make my life great: my family, my work or my writing. Not that I think I should have to choose, but there has to be an easier way. So I thought I might ask you, the readers, to offer suggestions. Perhaps you have figured out a way to have it all, or at least have most of it minus the guilt. Either way I am desparate for ideas, because I have set a deadline for myself and I am afraid…I am very afraid that I am going to let myself down and that I will lose the drive to keep going.
Great post by Shannon A Thompson on YA Fiction
21 days until the Minutes Before Sunset release 😀
So I’m trying out a new topic, “My Thoughts on,” because I get asked (mainly in my every day life when people find out I’m a writer/author) about my opinion on certain aspects of the publishing industry, and I think it’s a topic worth exploring.
Today I want to talk about young-adult fiction for two reasons: it’s a very popular genre, and I write it (so I obviously love it.) But I also wanted to explain why and what I don’t like.
1. Language: Many complain about the simplicity of language within young-adult novels, and, honestly, it’s one of my biggest pet peeves. Of course it’s simple. It’s marketed towards readers as young as 10 years old. (I am not talking about New-Adult Fiction, which is marketed towards 18 to 25 year olds, but is often mistaken for YA…
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Writing can be a lonely profession and networking is a writer’s best friend. Writers’ Conferences provide an excellent opportunity to meet experienced writers as well as others who are just starting out. We all need encouragement when we start the long, often arduous journey to being published. Spending a weekend in the company of veteran authors who have successfully traversed the great divide that exists between the budding author and the published one, can be an unparalleled experience.
I attended the Surrey International Writer’s Conference in British Columbia, Canada for the past two years, and it has been an invaluable learning experience for me. I thought I would share some of the details with my readers so here goes:
First of all let me say this – what you learn at a conference in three days is equivalent to taking several long running writing courses. You have your pick of workshops, everything from writing great dialogue to character building to publishing. Then there are contests, readings and book signings. You get to meet the most inspiring people, published and unpublished writers that just get the fire going. It can be a little overwhelming at times, but if you pace yourself, you will get so much out of it. Other than the obvious learning aspect, there is one more reason that a writers’ conference is such a great event. You spend three days in this bubble, where you can forget the outside world and just soak in everything related to writing. It’s great when you’re in the company of others that are excited about writing. You leave feeling rejuvenated and exhausted at the same time, but with a renewed energy to keep going and this to me is priceless.
The downside is that these conferences are pretty costly. At the SIWC about $600 will buy you the full access package which includes all the workshops, lunches, themed dinners and after dinner events which can be a hoot. It does not include travel or accomodation. Of course it helps if you live nearby or if you have a friend who is also attending, so that you can share these costs. If you are attending from out of town, the conference website will usually help you get in touch with others who are attending and are looking to share rides or rooms.You can also reduce the cost if you choose only to attend the three days of workshops, but not the lunches and dinners. You still get to meet with authors and editors as that is usually built into the basic package. The first year I attended, I chose the full package as I did not want to miss anything. I hadn’t anticipated just how tiring a full day of intense workshops can be. Although lunchtimes provide a great setting to meet new people, if you look at the cost versus benefit ratio, it’s fine to miss the lunches because you still get plenty of opportunity to chat up people throughout the weekend. But for first time attendees I really recommend the full package. I’m glad I got to do it all the first time around, so for the second time, I knew what to pick and what to leave out.
For me the best part is the pitch session, where you get to talk about your work to an agent or editor of your choice. Then there is the opportunity to show a piece of your work to an author who can give invaluable feedback.
So, if you have the opportunity to attend even one Writers’ Conference you should do it. You will not regret it and who knows what wondrous opportunities might come your way.
I was thinking about the stories we all grow up with. No matter where we spend our childhood, when we move to another part of the world we carry these stories with us and consciously or not, they make their way into the stories we write or tell our children. The folktales we listened to as kids or the stories that Grandfather always told at dinner seep into the world of the characters we create and soon we experience a wonderful fusion of cultures in which the bedtime stories a child might have heard in India merge with the stories of the Brothers Grimm. Thus we create new fairy tales for another generation. Almost every culture has some version of the knight in shining armour who saves the princess. Or the brave warrior girl who outwits the evil genius. And then there are all the mythologies. As a child growing up in Germany I devoured the Grimm Brothers’ fairytales. But I also loved the stories that my Bengali father told me and the comic books he bought me from which I learned about Hindu mythology. I grew up in a Muslim home, reading stories about Hindu deities, along with old German folktales. I lost myself in the Arabian Nights and listened to the bedtime stories that my Pakistani mother told me. Fantasy knows no boundaries and stories flow effortlessly across man-made borders. As writers, we are in a unique position. We can create characters and stories which reflect wonderful aspects of different cultures and enrich the literature of our times. And never has this been easier than now, when we can reach such a large audience so quickly and easily. I am grateful for the opportunity to share the stories that created such happy memories of my childhood.