Realm of the Goddess is going on tour with Diverse Book Tours, an awesome group of ladies who have made it their mission to promote books that offer readers an opportunity to learn about other cultures and perspectives. I’m thrilled and honoured to be part of their line-up of diverse books. Check out the schedule for the week of Feb 9-15.
My YA Paranormal Fantasy Realm of the Goddess is free for download Jan 14 & 15. Grab a copy if you like Indian mythology, kick-ass heroines, diversity, romance, exotic locales and lots of action.
Disappointed at this obvious lack of diversity to choose from, I decided that I would write one myself. I feel strongly about the need to expose our youth to the magical and colorful traditions that make up our world. I also want my daughters to read about characters like themselves, so that they are not always reading about “others”. Or feeling that they are always the “others”.
My children and others of their generation may or may not want to read about the immigrant experience. But they certainly want to see themselves reflected in the fiction of their time. They want to see characters like themselves battling evil, falling in love and fighting with their parents. They want to know that others like them are dealing with conflicts as diverse as arranged marriage, education, religion and all of the issues that plague young people, regardless of their ethnicity.
As a lover of the genre of fantasy in young adult fiction, I wanted to read a book that was outside the vampire/werewolf/witch theme. I was going to put the book on my Amazon wishlist (600 books long and growing), but it was free on kindle so I downloaded it. And, then couldn’t put it down. It is very difficult to build lego for your kid whilst trying to read a book at the same time and not to be recommended.
Realm of the Goddess does follow the pattern of vampire/ werewolf / witch books but with Hindu mythology. That alone makes it stand out from the crowd, but it is the richness of detail of Hindu mythology that makes this book so fabulous. The inclusion of the mythology is not forced or that dreadful Wikipedia-style history which made A.S Byatt’s The Children’s Book so unbearable. As a history nerd, I do love historical youth fiction and ones which are correct are hard to find. Granted I knew only the basics of Hindu mythology, but reading this made me want to read more (all recommendations of books written by women gratefully received!).
The main character Callie was fabulously written with depth and intelligence. She also ate actual food with gusto – all kinds of food from the traditional dishes of her family to cheeseburgers and pizza. Her hair was never perfect standing straight up on end when she awoke to the frizz of humidity. Callie reminded me of the character ofClaire Danvers in the Morganville Vampire books: intelligent, strong, loyal, and kind. The female characters in young adult fiction are frequently unbearable with their desperation to be with a man. Callie does have a love interest (and they do kiss) but the discussions of the relationship focus on what Callie believes is best for her. Realm of the Goddess joins the Morganville Vampires in being as close to feminist-friendly as can be written. This is why it will never get the publicity of Twilight, which reinforced the norms of our patriarchal culture. Callie not only challenges these norms, but also talks about the reality of male violence and rape. In fact, rape and other forms of male violence are integral to the plot and are clearly labelled as the sole impediment to women’s liberation and power.
This is the hallmark of a great book for me, strong female characters who are real. I want to read more by Khan as well as more books written about Hindu mythology. I want to see Khan publish a fact book on Hindu mythology like Rick Riordan did for Greek mythology with his Percy Jackson books.
I’m also restraining myself from emailing daily to ask when she’s going to publish the second book.
My YA Paranormal Fantasy Realm of the Goddess is available for free download Dec 27 and 28, 2014. Grab a copy if you like Indian mythology, kick-ass heroines, romance, exotic locales and lots of action.
Thanks to Madhuri Blaylock over at The Sanctum for nominating me for the 7-7-7 challenge. What is this, you ask? It’s where you go to page 7, line 7 of your WIP and share the next 7 lines. So here goes:
I took a deep breath and walked over to where Parvati was practicing in solitude. She had hitched the lower part of her sari up and tucked it into her waistband, a common practice for Indian women when they needed to allow their legs to move freely. Practicing martial arts while maintaining the elegant drape of a sari could be hazardous. Unaware that I was watching, Parvati moved with the grace of a classically trained dancer, her sword cutting the air effortlessly in a smooth motion. Her intricate steps belied the danger that I knew her opponent would face. Her arms swung the sword overhead like a feather, while her legs moved to the rhythm of an unheard melody.
What do you do when you’ve finally finished your novel, but you look back at it and hate most of what you wrote?
I’m sure most writers have at some point in their careers looked at their completed work and decided that it would never see the light of day. A few months ago I just stopped writing. I didn’t write any posts, I didn’t want to look at my chapters and I didn’t want to read other people’s writing. In fact, even in the grocery store I avoided the book aisle like the plague. It was as if I was angry with writing in general and wanted to have nothing to do with it. Then a few weeks ago I decided to take a peek at the opening chapter of my novel. I read it as if it had been written by someone else. And I really liked it. So I read a little more. Then I read the comments from the editor I had sent my novel to . He had a lot to say, some good, some not so good, but all very helpful and encouraging. Then I remembered something I read somewhere and I realized that instead of just dropping this project which I had worked quite hard on, I could work at it some more and make it really good. I was already on the right track and all I needed was to stick with it. But that was the hardest part for me. I have a history of not sticking with things, not because I can’t do them, but because when something doesn’t turn out perfectly the first time I tend to give up. It turns out that I’ve been standing in my own way. So my new goal is to fix what I can fix and then send it out into the world and hope that people like it.
Here is what I have learned from the last few months of wallowing in self-doubt:
I may truly just be a bad writer.
My internal editor may be taking control of my creative side.
I may be a perfectionist, which is pretty much a death sentence for a writer, because who can produce a perfect first draft?
I might be afraid of failure and it’s easier to just give up.
Lastly, I might just be a whiny pants who needs a swift, hard kick in the butt to pick up my novel where I left off and work at it until it’s the best that it can be.
So, today I’m deciding to do that last one. Hope to hear from you about your moments of doubt.
Since I started writing a couple of years ago I realized that there are some occupational hazards of being a writer. These include :
-Your sleep being hijacked by your characters as they live out the scenes from your book.
-Your friends no longer sharing intimate details of their lives with you as said details inevitably find their way into your book.
-Being unable to go to any social functions without mentally categorizing people and their quirks for future use in your book.
-Listening with disturbing intensity when coming across anyone with an accent, in case you can use it in your book.
-Shushing people at the movies because they dared to fidget as you are trying to mentally record a scene that might help you with your book.
-Having difficulty concentrating on what your friend is saying at lunch because you are fascinated by the way she chews her food and you might be able to use it for a character in your book.
-Developing an unhealthy habit of imitating grimaces and other facial expressions as you try to write them, but forgetting that you are in public.
-Mentally practicing combat moves for your fight scenes, not realizing that you are acting them out while sitting at a Starbucks and people are beginning to stare.
If anyone wants to add weird habits they’ve picked up as writers, I would love to hear about it.
I have been having this on and off relationship with the Prologue for my novel. I feel that it needs one, but then everything I read tells me that agents and editors hate them. Well at least the majority of them. Because the lives of the characters in my novel are intertwined with the gods and goddesses from Hindu mythology, I feel that it is important to set the scene, so to speak. I personally love prologues and I find that for certain stories they can provide valuable background details. I decided to delve deeper into what people are saying about prologues and here is what I learned:
1. Never use your prologue as an information dump about your characters or the setting. It is better to cleverly work that into scenes and dialogue.
2. Don’t use your prologue as a hook. That’s what the first chapter is for. Also readers will feel cheated if the prologue reels them in, but the chapters don’t deliver on that promise.
3. Your prologue should not be overly complex. This will just confuse readers and possibly turn them off the book entirely.
4. Never, never write a prologue that doesn’t connect with the main story. It will leave the reader wondering and not in a good way.
5. Ask yourself whether your prologue can just be the first chapter. If yes, then that’s what it should be. Apparently many people don’t even bother reading prologues. In that case, if the prologue contains information vital to understanding the story, you’re royally screwed.
Clearly there is no single answer to the question of whether or not to write a prologue. But at least there’s a lot of good information out there on how to do it right. Since I am the boss of me and I love prologues, I will keep mine. I have a strong gut feeling that my readers will appreciate it.
Here are a couple of links I found helpful:
The Prologue – When to Use One, How to Write One by Marg McAlister: An excellent dissection of the prologue, its advantages and disadvantages by Marg McAlister. She lists several questions to ask when deciding to use or not to use a prologue.
http://www.writing-world.com/fiction/prologue.shtml: An interesting take on the multiple roles a prologue can play in your novel. If your prologue is not doing any of the jobs it’s supposed to, then it doesn’t belong in your novel.
Naming your characters is a lot like naming your children. You have a vision of what you want the character to be like, so you want to pick a name that they can grow into. But there are a few things you want to watch out for.
1. Your character’s age:
Pick a name that is appropriate for the era that your character is from. If your character was born in the 1960’s for example, don’t name them Jordan or Alyssa. Raid your aunt’s attic for her yearbook and check out the names in there. Or you could just go to your local library. But the attic seems like a lot more fun.
2. Your character’s ethnic background:
Keep in mind your character’s ethnicity as that exponentially widens the pool of names to choose from. You have to decide though if the character’s ethnicity has a role in your story. You don’t want to choose a name that overshadows the character. Do your research well, so that you don’t end up giving the character a name that will cause you problems later. In many cultures a person’s name, last and first, are indicators of other details, such as religion, caste and geographic origin.
3. Roots and meanings:
Make sure that you check out roots of names and their meaning. This way you can incorporate some of your characters’ personality traits into the name. If your heroine is a tough cookie you probably don’t want to call her Heather. Also when it comes to choosing the names of villains you might want to stay away from likable names, unless of course your story demands it.
4. Convoluted names:
Remember that if your readers don’t know how to pronounce the character’s name, it may take away from how well they connect. Sometimes, complicated names are unavoidable, so perhaps you could work the correct pronunciation into your story. For example, you could have your character meet someone for the first time and have them ask for the correct way to say the name. That way when your book is made into a movie your fans won’t be shocked to realize that they had been saying the main character’s name wrong the whole time. Of course by that time it may not matter, since you will be rich and famous.
The most important thing is to have a good time naming all the characters in your story. I can’t think of anything more fun than creating entire personalities and watching them grow. On a personal note, I am still trying to come up with names for two evil shape-shifting brothers for my story, so I am open to ideas.